As a papermaker and paper artist, my practice centers on transforming raw, organic fiber into abstract woven forms that explore rhythm, color, and texture. Though abstract, my paper tapestries remain subtly representational, blurring the boundaries between textile, sculpture, and painting.
My love of paper as a medium drives me to celebrate its versatility. In my studio, I engage in papermaking, pulp painting, bookbinding, and the design and construction of paper-based lamps—each process offering new ways to honor the expressive potential of fiber.
I consider all my work to be visual meditations—quiet, tactile explorations of form and feeling.



Georgie Cunningham came to papermaking with a background in broadcast and graphic design. She studied papermaking at the Southwest School of Art in San Antonio, Texas and has devoted much of her time to researching common grasses as alternative fiber sources.
Cunningham’s work has shown internationally. She is a member of North American Hand Papermakers and the International Association of Hand Papermakers and Paper Artists.